British lyric soprano Nadine Benjamin is a charismatic and versatile artist who is in increasing demand on both the operatic stage and the concert platform.  She is also developing great renown as an exponent of song, in particular Verdi, Strauss, Berg and contemporary American song.  Nadine recently released her debut solo album ‘Love & Prayer’.

Nadine’s principal roles to date include the title role in Aida, Cio-Cio-San (Madama Butterfly), La Contessa (Le nozze di Figaro), Nadia in Tippett’s The Ice Break with Birmingham Opera Company, Desdemona (Otello) with Everybody Can! Opera, Violetta (La traviata), Tosca (Tosca) and Musetta (La bohème) for the Mediterranean Opera Festival, Musetta (cover) for Scottish Opera, Tosca and The Countess (The Marriage of Figaro) for English Touring Opera and Ermyntrude in Mascagni’s Isabeau with Opera Holland Park.

Nadine is an ENO Harewood Artist and recently made her debut with the Company as Clara (Porgy and Bess) receiving excellent reviews (her Summertime is one of the loveliest I’ve heard.” The Times).  She will also sing Musetta (La bohème) as part of the 2018/19 season.  Future plans include the title role in Puccini’s Tosca for Everybody Can! Opera, which Nadine will also produce.

In 2014 Nadine created the principal role of Imoinda in the UK premiere of The Crossing, an opera by the Cuban-American composer Odaline de la Martinez, at the 5th London Festival of American Music.  She has a long-running relationship with LFAM, and has performed song cycles by Bolcom, Child and Barber at the Festival as well as the European premiere of John Harbison’s Milosz Songs.  At the 6th Festival in 2016, Nadine led a programme of works by female American composers, accompanied by Susanna Stranders.  Nadine recorded the role of Mrs. Waters in Dame Ethel Smyth’s opera The Boatswain’s Mate for Retrospect Opera, also under the baton of de la Martinez, released in 2016 to critical acclaim and broadcast on BBC Radio 3.  Accompanied by Nicole Panizza, Nadine recently recorded a selection of songs set to the poems of Emily Dickinson, which will be released in 2019.

In concert, Nadine has performed Berg’s Seven Early Songs, Canteloube’s Songs of the Auvergne, Dvorak’s Stabat Mater, Schubert’s Mass no. 5 and the soprano solos in both Mahler’s Symphony no. 4 and Handel’s Eternal Source of Light Divine.  She has sung the soprano solo in Poulenc’s Gloria at Coventry Cathedral and in Villebon, France, as well as with The Waynflete Singers and the English Chamber Orchestra at Winchester Cathedral, and has given numerous solo recitals at St Paul’s Church, Covent Garden.  Further performances include Barber’s Knoxville – Summer of 1915, Strauss’s Four Last Songs and Mahler 4 with West London Sinfonia, Poulenc’s Gloria, Dvorak’s Te Deum and Vaughan Williams’ Dona Nobis Pacem with the Cohen Ensemble, Strauss’s Four Last Songs with Norfolk Symphony Orchestra, Handel’s Messiah at Winchester Cathedral and a private recital at the Palazzo Doria Pamphilj in Rome.  Future performances include the Verdi Requiem with West London Sinfonia and Mendelssohn’s Elijah at both Winchester and Coventry Cathedral in 2019.

In 2015 Nadine founded ‘Everybody Can!’ to provide a platform to encourage others to believe in themselves and to support them in recognising that whatever they envision can be achieved.  She was shortlisted in 2012 for the inaugural Genesis Prize, awarded to outstanding mentors who give others confidence and inspiration to achieve artistic excellence in their chosen profession.  Nadine is an Ambassador for London Music Masters, a charity that encourages opportunity, diversity and excellence in classical music. Nadine was “highly commended” at the 2016 Aviva ‘Women of the Future Awards’ and invited to both Buckingham Palace and No. 10 Downing Street in recognition of her work as a mentor and singer.

Hailed by ‘Opera Now’ magazine as one of their favourite top ten sopranos in “a new generation of sopranos who are destined to have impressive careers”, Nadine won the inaugural Fulham Opera Robert Presley Memorial Verdi Prize in 2015.